Gianandrea Noseda, music director of Teatro Regio Torino and conductor of this production, considers his rediscovery of LA BOHÈME.
For Noseda, there are two ways of looking at Puccini’s masterpiece: either as a landmark of the end of the Romantic period at the end of the 19th century or as the herald of 20th century modernity. Noseda sets out his case for the latter vision of LA BOHÈME and talks of the challenges of bringing to life both the broad vocal lines, so often associated with this work, and the finer instrumental details.
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