Giacomo Puccini

‘Puccini is dollar’ was the view of Latvian National Opera’s chief at the end of his sold-out VIVA PUCCINI festival in Riga.

Highlights from their Puccini Gala complement the showcase staging of his most popular opera LA BOHEME from Oslo, along with a longer extract of his first great success MANON LESCAUT from Brussels and a complete performance of his only comedy GIANNI SCHICCHI from Lyon. Together they show his unrivalled gift of melody which speaks directly to the heart. His motto was: ‘I want to make people weep: therein lies everything.’

Operas (0)

Teatro Real: Madama Butterfly


Director Mario Gas sets one of Puccini’s greatest operas in Hollywood in the 1930s, creating three simultaneous perspectives: the action on camera, the work behind the scenes and the actual film. Ermonela Jaho sings the role of Cio-Cio-San, a girl tragically in love.

Den Norske Opera: Tosca

Puccini – TOSCA

A new production of TOSCA, live from Oslo, is directed by Catalan director Calixto Bieito. Known for his challenging, sometimes graphic, interpretation of opera and theatre, Bieito’s TOSCA is sure to be a remarkable and moving event.

03 September 2017 at 19h45 CET
Latvian National Opera | TURANDOT ‘Nessun dorma’ Three tenors - Extract

Latvian National Opera | TURANDOT ‘Nessun dorma’ Three tenors

Andris Ludvig, Dmitri Popov and Murat Karahan revisit the ‘three tenor’ format and present their rendition of one of the most famous arias ever written: ‘Nessun dorma’ from TURANDOT, performed at the Latvian National Opera’s VIVA PUCCINI Gala in June 2015 in Riga.
La Monnaie: Madama Butterfly

‘Cio-Cio-San is a song, a melody'

MADAMA BUTTERFLY remains one of the most beloved Puccini operas – and one of his most difficult works for contemporary directors as it touches topics such as colonialism and male dominance. Kirsten Dehlholm, founder of the Danish artistic collective Hotel Pro Forma, talks about her vision for a modern approach to the opera and its heroine.

Teatro Regio | LA BOHÈME

Àlex Ollé – LA BOHÈME: a XIX century’s phenomenon

It was 1896 when Giacomo Puccini presented the world première of LA BOHÈME at Teatro Regio di Torino, fifty years after the publication of SCÈNES DE LA VIE DE BOHÈME by Henri Murger, published in instalments between 1845 and 1849 on the literary journal LE CORSAIRE.